San Carlo che trionfo. At times he was simply overwhelmed by the orchestra not a.
Report Jonas Kaufmann Affirms His Status As The Otello Of The 21c With New Recording
He made the start of the great monologue Dio mi potevi so soft and vaporous that it gave the uncanny effect of listening to the inner workings of.
Jonas kaufmann otello munich reviews. Its a thoroughly entertaining film following Kaufmann in the run-up to the concerts and also in rehearsal for Otello at Covent Garden this summer a film of which you can see at 1030pm. Well since opera singing is a high-performance sport one may say that Tristan is a marathon whereas Otello is a row of sprints. Actually in the part of Otello theres not a.
And youre unlikely to come across a better performance of the work that famously had a double premiere in both Hamburg and Cologne on the same night in 1920 and then first reached Munich two years later. Un trio dasos per al nou Otello a lÒpera Estatal de Baviera. Elegance nuance and delicacy and strength when required are always present.
Jonas Kaufmann Anja Harteros i Gerald Finley 25 Dec 18 El cronista errant Jonas Kaufmann torna ad Otello dopo un anno e mezzo dal debutto londinese nel ruolo. Since his sensational début at the Metropolitan Opera in New York in a performance of La traviata in 2006 Jonas Kaufmann has numbered among the top stars on the operatic horizon. Singer searches from The Opera Critic Search Suite.
A storm is raging with such fury that you can almost taste the salt from the spray. His tenor was darker and more baritonal than ever but with splendid trumpet-like high notes. The best part of his performance was perhaps in the softer notes.
Teatro San Carlo Luciano Romano. But Otello is far more complex and Kaufmann catches that mix of bravado assertiveness and torment right from the start. Il Mattinos headline proclaims the premiere of the new production of Verdis Otello at Teatro San Carlo a triumph.
He looked terrific every inch the handsome hero and yet you longed for him to really let rip. He has a remarkable knowledge of the score and it is quite amazing to watch him conduct. The Bayerisches Staatsorchester was also spectacular as they always are under his baton.
MUNICH Otello Bavarian State Opera 112318 S TAGE DIRECTOR Amélie Niermeyer. Muted reviews for Jonas Kaufmanns Munich Otello main. The international press has singled him out as the new king of tenors.
Jonas Kaufmann and Anja Harteros the Royal couple of the Bayerische Staatsoper enchant and melt hearts as the doomed lovers in Verdis late masterpiece. Opera Lively had the pleasure of interviewing the great tenor Jonas Kaufmann on the occasion of his magnificent interpretation of the title role of Parsifal in the new production of the opera by the Bayerische Staatsoper which we attended live on July 1 2018 in Munich. November 26 2018.
Insiders praise him as the most important German tenor since Fritz Wunderlich. Join tenor Jonas Kaufmann and conductor Antonio Pappano as they explore Verdis Otello. Kaufmann has confirmed himself as the Otello of our times fully taking ownership of the role.
We know that Otello is a mans man - and Kaufmanns Otello captures this. Kaufmanns otello starts out as less the swaggering hero more the serious commanding officer and as he becomes more and more defined by his. The Otello created by Kaufmann and Niermeyer was a ticking timebomb a man plagued by the horrors of his own recent experience in war.
Which made this production more relevant than most was her direction of Jonas Kaufmann in the title role. His tenor was darker and more baritonal than ever but with splendid trumpet-like high notes. Supporting roles on the radio broadcast seemed a bit distant from the microphones which did not show in the live performance when I finally heard the whole ensemble in the theater.
The production which opened the theaters 202122 season on November 21st and was attended by the Italian president Sergio Mattarella marks Jonas Kaufmanns return to the role of Otello. Anja Harteros as Desdemona Jonas Kaufmann as Otello. Jonas Kaufmann comes from Munich.
Kaufmann has confirmed himself as the Otello of our times fully taking ownership of the role. Munich is a long way from the sea but Kirill Petrenko makes the waves crash out of the orchestra pit with such violence that you fear for Otellos life. He completed his vocal.
Its one of the most painful moments to listen to in this recording. The onward march of Korngolds opera Die tote Stadt back into the mainstream continues with its return to the Bavarian State Opera after more than 60 years. His darkly hued voice phrasing each line so elegantly and passionately and the searing tessitura presenting absolutely no fears.
Jonas Kaufmann Schedule Reviews Photos. Search opera singers conductors directors designers from around the world. But even when the pacing becomes lackluster Kaufmann throws himself into the music with controlled abandon - clearly he wants to establish his cred as a great Verdi singer even though so far he has sung only seven roles on stage mostly in Don Carlo and Traviata.
Which is not inappropriate when Jonas Kaufmann is singing the title role. Given the multiple demands on the famous tenors time we kept it short but his intelligence and erudition still shine. Jonas Kaufmann was tender and loving Otello in the love duet not so sure about more heroic parts.
Its an extremely slow tempo but in its expansion and Kaufmanns soft and pained singing one feels Otellos last hopes slipping away with every note he sings. His rendition of Dio mi potevi scagliar where Otello confesses his total inability to deal with emotional distress was original deep and. This summer saw an.
Its a tribute to Antonio Pappano that Jonas Kaufmann has chosen Covent Garden for his first and maybe last Otello because every one of the worlds leading opera houses wanted this one.
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